Moyens de préservation et de la sauvegarde de la musique mixte: SAMPO extension électroacoustique universelle pour un instrument acoustique

Moyens de préservation et de la sauvegarde de la musique mixte: SAMPO extension électroacoustique universelle pour un instrument acoustique

Ciclo 2015-2016

25/05/2016 - 15 Horas Torre B Sala 413.

Alexander Mihalic
Composer and researcher: Paris VIII University.

"Moyens de préservation et de la sauvegarde de la musique mixte: SAMPO extension électroacoustique universelle pour un instrument acoustique"

 

 

 

After his PhD, he pursues his research in two distinct and complementary domains. At first and in parallel with his works as a composer. he develops special solutions for the "real time" music. He teaches and works with composers at IRCAM. At IMEB he is member of the research team and he develops software/hardware collections for different purposes: education, sound diffusion and studio composition (Cybersongosse. Cybernephone and Cyberstudio). Furthermore, he creates a new electro acoustic solution for gestural interface- an extension for any acoustic instrument, called "Sampo" played by many performers at festivals and concerts around the world (United States, Spain, Germany. France, Japan, etc.). At second, the link between acoustics and the exploration of reality through sound sonification. based on the substance of the relationship between science and art in their historical and present state. He teaches computer music and multimedia at the University Paris VIII, and acoustics sonificiation at the University of Technology in Bourges where he organises an interdisciplinary project called "Sound Aquarium in collaboration with the National School of Arts and the Conservatory of Music..

 

Organizado por Isabel Pires e o Grupo de Investigação em Música Contemporânea do CESEM

Contactos

Grupo de Investigação em Música Contemporânea
CESEM — FCSH
Colégio Almada Negreiros
Campus de Campolide
1099-032 LISBOA
PORTUGAL

Telephone: (+ 351) 21 790 83 00

 

 2017 FCT